Electronics / Experimental

Opět k dostání toto remixové album z roku 1999. Nové digipackové vydání. With "Disguised Masters" released in 1999, ARCTURUS delivered a striking and for some even provocative afterthought to their previous works. The WHEN intro 'White Tie Black Noise' was followed by the new track 'Deception Genesis' and a re-recording of the classic 'Du Nordavind' before the Norwegians launched into an adventurous re-visiting of six "La Masquerade Infernale" tracks that got unapologetically treated with EBM, trip-hop, rap, ambient, and other musical means. Drawing up fresh angles onto their music, the re-imagined songs revealed the wide open mind of ARCTURUS.

Toto pozoruhodné album od ARCTURUS k dostání také jako LP. Černý vinyl.

Album kultovní italské kapely. Digipack. The stars of heaven and their constellations will not show their light. The rising sun will be darkened, and the moon will not give its light. (Isaiah, 13:10) "We can nowadays almost certainly conclude the moon is likely to be a hologram." (Kirlian Camera "Hologram Moon", scientific appendix, quoting astrophysicist Giuliana Conforto) "Hologram Moon" is the first Kirlian Camera album after five years in which Elena Alice Fossi and Angelo Bergamini, amongst other things, engaged in their side project SPECTRA*paris. In October 2017, the duo returned with the spectacular single "Sky Collapse", the title track of which was sung together with Covenant's Eskil Simonsson. It dominated the German Alternative Charts for several weeks and keeps heating up German dancefloors. However, "Sky Collapse" was only a portend of something more epic. The album "Hologram Moon" shows Kirlian Camera at the peak of their turbulent career. Several...

Zbrusu nové album kultovní italské kapely. KIRLIAN CAMERA are an ever churning maelstrom of creativity and musical innovation. Their inspirational power is both, destructive when it comes to limitations of genre, style, and conventions as well as constructive for example regarding building a new sonic architecture on the ruins of the old. The Italians latest masterpiece, "Radio Signals for the Dying", is no exception as a new artistic high-watermark. On the surface, KIRLIAN CAMERA continue on the dark musical path they chose to follow on their previous double album "Cold Pills (Scarlet Gate of Toxic Daybreak)" (2021). It speaks volumes about the Italian electro-provocateurs' extreme level of energy that the band is able to follow up such a massive work with another powerful double full-length. Yet "Radio Signals for the Dying" is anything but a mere repeat of its glorious predecessor. Instead KIRLIAN CAMERA subtly change their sound design by a thousand smart details, delightful...

Ethno electro ambient trip hop. Francie.

Nové album neúnavných norských experimentátorů. It all happened in a haze. I am not sure everyone was prepared to obey the summons and forsake the shore in order to be pulled under by the loudness of sound. Yet the ethos on that crisp October night was clear in its wording: Drone Activity. Upon entering the old fish-warehouse, now converted into an activity hall, on the new Oslo waterfront, the security guards barely cared to check our tickets. Even mammoths would have been able to hide in this enormous dark space, illuminated by a few logos and stalls of sugary drinks, about to disappear in a sea of smoke. Disappearance comes in many shapes in the age of extinction. Following the Danish noise act Damien Dubrovnik, Ulver started out in a subtle manner, carefully examining the territory, vast and waste. Screeching sounds echoed distant roars from the approaching edge as snowflakes pierced the air with ferocious speed. Where to go from there? A retreat into the sunken...

Nové album norských experimentátorů. In the midst of the forest, the floor is littered with monstrous heads and mythical figures, frozen in torturous combat or threatened by wild beasts. A dragon fights a dog and a wolf. A lion sinks its teeth into the fire-breathing monster’s chest. This sacred grove, near Bomarzo in Lazio, Italy, reveals the nightmare vision of Vicino Orsini, a sixteenth century nobleman. It’s a forest of symbols, suggesting a civilisation overrun by the beasts, demons and monsters of the primordial world. Soon after Orsini’s death, trees began to close in on these many peculiar beings, and green moss would eventually seize them. Slowly, nature finished what he had started. Flowers of Evil, the new studio album from Ulver, finds the wolf pack exploring the fear and wonder of mankind’s fall from redemption. Visions similar to those of Orsini come to mind, as untamed life abounds: THEY SPREAD TWIST AND TURN IN THE KILLING FIELDS The threads of haunted...

Další z živých CD od ULVER. House of Mythology proudly presents the official release of Ulver’s monumental Grieghallen concert from the 2018 Bergen International Festival. Grieghallen 20180528 documents the pinnacle of Ulver’s 2017–2018 touring cycle, following the release of their landmark album The Assassination of Julius Caesar. A massive explosion of sound and light went off in Bergen that night, leaving the baffled audience floating somewhere between pleasure and fear. Professionally multitracked by the Bright AS stage tech team, Kristoffer Rygg and Anders Møller were asked to mix the tracks for the 2020 “streaming edition” of the same festival. After having circulated as a YouTube bootleg, it is now being made official partly due to popular demand, and partly because we think of it as a magnificent companion piece to the studio version of Caesar – showing Ulver at the height of their live game. Tracklist: 01. Nemoralia 02. Southern Gothic 03. 1969 04. So Falls...

  Nová živá nahrávka od ULVER. Hexahedron documents the second of the two dazzling, sold-out Ulver shows in the legendary Studio at Henie Onstad Kunstsenter at Høvikodden back in April 2018. A special commission and “an honourable undertaking”, as Tore Ylwizaker put it in their career-spanning book Wolves Evolve – The Ulver Story, published last year. “To orientate our music into an art setting is appealing to me”, he said. “Doing whatever we want, not knowing what it’s supposed to become or where it will end up.” During the shows at Henie Onstad the band found themselves trapped in a multidimensional “hypercube” in the middle of the asymmetric space. Inside it they experimented with all-new ideas in an installation as galactic as the music presented was unmistakably ulverish. Around them, the audience moved unhindered among hallucinatory lights and laser-guided melodies, losing themselves in interstellar clouds of gas, dust and broken junk of exploded stars. I suppose...

Další z podivných alb od ULVER. Knock, knock. The most terrifying of all terrifying nights is here, and they are back, ready to make your skin crawl. But first, rewind exactly one year. Enter the newly restored 1920s cinema at Frogner in Oslo. Frescoed stars, cobweb, myrrh, and pumpkins. On the big screen: John Carpenter’s cult classic Halloween (1978). In the pit: Ulver, performing a reimagined version of the iconic score. A surprising and timely one-off right before the capital city shut down for real. After the lights were turned off that evening, the All Hallows’ Eve quartet – Ole Alexander Halstensgård, Kristoffer Rygg, Tore Ylwizaker and Stian Westerhus – went full isolation in their studio below the haunted hill, fantasizing about bygone nights of slasher, exploitation, and giallo. Three or four months went by, the band returned to the living, and sent their radiophonic workshop experiments off to the Dogs of Doom, France, where friend and fellow film freak, Carpenter...

Minialbum neúnavných norských experimentátorů. Ulver - Sic Transit Gloria Mundi EP The sad remains from our Caesarean banquet. Two songs we kind of left on the drawing board but resumed work on this summer. Additionally, a cover of a childhood favourite – one we actually started some twelve–thirteen years ago – from the time we first started thinking about making “pop” music. This EP was finalized in our new studio in the old town of Oslo in September, and sent off to Youth's (Martin Glover and Michael Rendall) in London in October, for imperial sound quality. Mastered this week by The Bricoleur. Cover shows Francis Bacon's Study After Velásquez's Portrait of Pope Innocent X (1953), used with kind permission of Des Moines Art Center. Design by Paschalis Zervas, +wolframgrafik. Ulver, The Colony Room, November 11 2017

Jedno z nejlepších a nejsilněších alba ULVER.